THE REVOLT OF THE BEAVERS was to be Brooklyn Family Theatre's Spring production. It's a bit of an artifact: A communist-sympathetic children's musical from the 1930s, with writing that's like a cross between The Bowery Boys and a post-apoc movie starring Charlton Heston. Both for historical interest, and for its strangeness, we thought BEAVERS would be a terrific choice for BFT. Plus, our community in Park Slope is very liberal, so there's more interest than outrage for a pinko musical about unionized beavers holding a revolution. Long story short, Thursday night Phill announced to me that he didn't want to do the show. He cited plenty of reasons, all of them valid. There just aren't enough people on our board, and there's not enough money to make our shows worthwhile financially. We've done nearly every one pro-bono for five years now, and with a house upstate to think of, and Phill trying to live healthier, running himself ragged for free has ceased to be attractive. Besides, he's working on our next touring show, so it's not as if he has an empty plate. (And THAT show he's getting paid for.) I fought Phill on the point of BEAVERS' cancellation, mostly because I was (for once) very excited about the content of one of our shows--as were many of my friends. I suggested that I direct the production in Phill's place, but that soon started looking like a recipe for a nervous breakdown, since I'm not really good at musical staging, and would additionally need to find a musical director, costumer and prop designer. (Phill normally does all of this, no joke.) Finally, after an hour of arguing and puzzling, we agreed to tentatively shelve the production until the Fall. We'll see, though. The dismantling of Brooklyn Family Theatre will need to happen eventually, what with Phill's life and mine complicating handily with the addition of our upstate property. I also hate arguing with someone I love over something I merely like. Either way we're feeling mighty free right now...which is a rare and blessed thing. I am working in earnest on my moderately depraved novel. * * * One of the main reasons I didn't push Phill to direct BEAVERS, besides my respecting his emotional health (and my dogged knowledge that he won't do anything he doesn't want to) is the fact that he's only recently quit smoking...and is looking for an excuse to start again, as anybody would. "I'm going to direct the show, and I'm going to buy a pack of cigarettes right now," he actually demanded/threatened at one point. The funny thing about ridding our schedules of BEAVERS, though, is that it's resulted in the white noise of his cold turkeydom rushing in to fill the silence. He barely said five words to me all of Saturday, other than "I don't feel so good." Though to be fair, he repeated those words all afternoon... * * * Friday night I caught the raucous Irish band Shilelagh Law in midtown with a gaggle of close friends, including Diane and Erin. As usual, it was a continuum of drunken madness, and everybody ended up dancing with strange men at one point...even me, though I made no attempt to determine if my guy was homocurios, or merely exhibiting Irish cameraderie. Danger-prone Diane stumbled on the way out of the show, landing squarely on her tailbone, and sending a sharp jolt of pain straight up her back. She got up and laughed it off, but severe pain (or any increase in adrenaline) makes Diane faint you see--it's a condition known, I kid you not, as 'common fainting'. So when Erin and I exited the pub with her onto 45th Street, Diane fell again, this time unconscious.
Not thinking to connect the blackout with my sister's Victorian constitution, and peer-pressured into action by all the exiting pub-goers, I dialed 911, assuming, because she is 22, that Diane must have gotten some kind of alcohol poisoning. In fact, she'd had just three drinks in four hours--which is barely keeping pace for a Shilelagh Law show. (Or a 22-year-old.) Needless to say, by the time the ambulance got there Diane was 'with us' again, and by the time the vehicle pulled away (with us in it), she was laughing and joking about the whole thing. Yet none of us were quite ballsy enough to say, "Can we turn this thing around?", so Diane got a rather expensive chance to sleep off her cranberry-and-vodkas at midtown hospital, while Erin and I got to watch PBS documentaries with irate homeless in the hospital waiting room, well into the morning. When Erin left, I headed over to a local diner to while away some time writing, but the place was full of catty young Chelsea boys.
Feeling myself fast approaching the perpetration of my first hate crime, I decided that my best course of action would be the aggressive pursuit of unconsciousness. I returned to the hospital, asked the nurse on duty "You got a bed for ME?"
They didn't have a bed for me. They had a chair. But a chair is something. |